monks demo tapes 1965

(available here)

These early monks recordings were made seven months before Black Monk Time.
They are released for the first time in Europe by Munster Records / play loud!
10 original monks songs plus 3 additional tracks by The 5 Torquays and Jason Forrest.
Inner sleeve with liner notes and never-before-seen photographs!


vinyl 12"

pl-lp-03


digipak with 12 page booklet

pl-cd-03


(please click on photo gallery for high quality images)



"A landmark release. Year zero rewinds to 1965."
Record Collector (09/07)

"The earliest document of their minimalist past. It veers from psychotic nursery-rhyme relentlessness to distorted psychofolk.
A fascinating blueprint for the true deranged genius of Black Monk Time."
Mojo (04/07)

“As an introduction to The Monks’ psychotic big beat, these demos are essential.”
Wire (05/07)

"Yes, the legendary band the monks, responsible for one of the most fabulous records of the 60s ('black monk time'). This is a totally pro studio recording that preceded the album. Here you can find earlier versions of most the album best songs. Also included are two tracks of the five torquays, and one track of the monks tribute record, 'monk hop' by Jason Forrest, plus a big booklet full of info."
Rough Trade (05/07)

"The Monks had such an impact from their one album proper that this reissue of their demos is a welcome addition to their sparse catalogue.
Unpolished versions of songs on Black Monk Time manage to be both grittier and less raw than on the finished album, the trademark proto-motorik überbeat and pre-punk angst sparking into urgent life."
Plan B Magazine (06/07)

“Die Monks waren ungeschliffene Diamanten, und diese Aufnahmen zeigen, aus welcher Mine sie kommen.”
TIP Magazin (05/07)

"Wie man wird, was man ist: Bevor die Monks, die Band, die je nach geschmacklicher Präferenz Punk, Techno und / oder Industrial erfunden hat, Black Monk Time (1966) einspielten, sich Tonsuren schneiden ließen und in Kutten warfen, probierten sie die Zukunftsmusik schon einmal aus. In Ludwigsburg, an einem einzigen Tag aufgenommen, machen die Demotapes der Mönche die Blaupause ihres ersten und einzigen Albums hörbar. Charmant und im Rohzustand. Von Philips abgelehnt, von Polydor genommen. Deren Produzent Jimmy Bowien, bekannt geworden durch seine Zusammenarbeit mit Franz Josef-Degenhardt, in dem Quintett die Band von übermorgen sah. Braucht ihr. Genauso wie Silver Monk Time, die Doppel-Tribut-CD auf Play Loud."
Read y'self fitter (05/07)


 

Germany

read complete reviews

UK

 

Rest of the world

Tip Magazine (5/07)
Read yourself fitter (5/07)
Satt.org (5/07)
Business News (5/07)
OX Fanzine (6/07)
Hamburger Morgenpost (6/07)

Sonic, Sweden (3/07)
Rytmi, Finland (3/07)
Weekend, Spain (4/07)
Style Weekly, US (5/07)
Rochez Belles Oreilles, France (4/07)
Rock & Folk, France (5/07)
Dig it!, France (6/07))
Exclaim, Canada (6/07)
Les Inrockuptibles, France (10/07)




liner notes to the album (excerpt)

In retrospect the monks demo tapes from September 1965 are the first musical step towards what could be called a search for the new zero point in pop history. It will take the band another few months before they change their outfit (January 66) and turn finally into real monks. The five former soldiers are full of doubts about the strange course their enterprise is taking, some band members wish to quit the band, but also they have caught fire and love the idea of creating new music. On the later album, which will be recorded in early March of 1966, some songs are erased (Pretty Suzanne and Hushie Pushie, both on this record), two new songs (Complication and Shut Up) and new harsher lyrics to Monk Time are added. Maybe it is the one and only time in rock´n´roll history that demo tapes sound tamer than the actual final record. Julian Cope states in his book "Krautrocksampler" that American or British producers probably would have mutilated the final production. Black Monk Time is all together shorter, faster, louder, more to the point than the demo tapes. But the demo tapes stand on their own ground for their willfulness of experimentation and change. They also prove that the five musicians and the two managers worked as a team of seven. Monk drummer Roger Johnston told us before he died in 2004: We were able to turn most of what they said into playable music, which it didn’t seem like at the time. They suggested something, how are you gonna make music about that? And they said, just think about it, do it, practice it. And we would. And what a wonderful job they accomplished!
Please enjoy with us this very first testimony of monk music.