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SPECIAL LIMPE FUCHS PACKAGE
The album Gestrüpp (vinyl 12") plus the CD Trampelpfadnomainroad (CD in carboard sleeve, shrink wrapped) for only 20€ plus shipping.
Those who purchase the package will receive the record Gestrüpp as mp3 files once they have completed their order.

Also on vinyl Anima Monte Alto

For all Limpe Fuchs releases on play loud! visit our Limpe Fuchs Archive


More info

pl-61/pl-71
cd

20.00 €



Limpe Fuchs writes about her work on Gestrüpp
I am a composer and performer of acoustic and visual events. In the studio I am lacking the visual element. Therefore I like to work with multitracking. As a soloist I listen to my field recordings and integrate them into my new compositions. I do love radio plays and that is how I create a sort of audio theatre with the aid of my very special instruments and noises.


trampelpfadnomainroad
This music selection (1977-2017) was compiled for the exhibit trampelpfadnomainroad at Städtische Galerie Traunstein.
Celebrating the art and music of Limpe Fuchs the exhibition gives insight into her ongoing creative adventures, from the early days of Anima up to her recent and critically acclaimed body of work. The exhibition opens on September 2nd and is open until September 28th at Städtische Galerie Traunstein / Germany. Limpe Fuchs is open to the idea to see the exhibition travel to other art spaces and galleries.
A nice catalogue with a CD of UNRELEASED music (from 1977-2017) will be released to celebrate the event.


About Limpe Fuchs
Limpe Fuchs is a legend in the experimental music scene. In the late sixties, this percussionist drummed on self-made instruments, together with her then husband Paul Fuchs, in the Ensemble Anima. During that time, Limpe and Paul Fuchs cooperated with the classic pianist star Friedrich Gulda, as well as with jazz luminaries like Albert Mangelsdorff, and continually attracted the interest of their audiences in new constellations. Limpe Fuchs' solo performance with "variable wood and stone rows, ringing bronze in the pendulum strings, and a variety of skin and bronze drums" is a rare occasion to witness one of the early avant-gardists of the scene from the old Federal Republic Of Germany. She attempts, while playing live, to develop her musical ideas from the "resonance of the location where the performance takes place" - "to make music in the flow of time, with simplicity and emotion"! Her main concern is to sensitize the process of hearing: "Every tone is a sensation. Listening instead of shutting one's ears. Establishing silence."


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