This section contains scenes of violence and other explicit material.

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NEW RELEASE
Director: Lawrence Gise, Dietmar Post, David White, Leslie Hucko, Matthew Bezanis, Hsia-Huey Wu
Duration: 9:23 min
Year: 1996
Format: Film streaming (original 16mm)
Resolution: 720x576
Genre: Short film
Nationality: USA
Language: English with German or Spanish subtitles Featuring: Pietro González & Will Bartlett
Rated: Restricted for children under 16
Film Streaming: 72 hours
Recommended bandwidth: 1.5 Mbps
Movie theatres and film festivals can book the original 16mm print at [email protected]

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    Bowl of Oatmeal was the final project, a group work, done by six students during an eleven-week intensive film course at New York University, which has become a classic of American underground cinema.

    "Bowl of Oatmeal" is about a seriously disturbed loner who imagines (?) that his only friend is his talking bowl of oatmeal. When the guy begins to unhealthily obsess over what he can do with meat, a rift is driven between them. In tone and thematics, the absurd, pathetic alienation and insanity of this story brings "Eraserhead" to mind, but it's definitely it's own beast.
    (Cinematery)


    PRESS

    “A man fed up with his solitary existence decides, on the advice of his breakfast cereal, to take up a hobby. Made not at the famous TISCH School but at the School of Continuing Education, this film was a group collaboration which took, from conception through postproduction,less than a month to complete.”
    UFVA Student Film & Video Festival Philadelphia, September 1996

    “A Bowl of Oatmeal, a rare group effort led by Dietmar Post, is the tale of a hermit in the throes of a nervous breakdown who receives advice from a sly, articulate bowl of oatmeal with a Bostonian accent.”
    Michael Simmons, L.A. Weekly, April 1997

    “Desperate people who hate making decisions will take advice from just about anywhere…mail-order evangelists, psychics, politicians, breakfast food. A morbidly fascinating look at the effect two of the major food groups have on a lonely man’s life."
    Chicago Underground FF, August 1997

    “A lonely man of the brink of emotional desolation begins to hear voices emanating from his breakfast cereal, guiding him to get a hobby. Against his oatmeal’s better judgment, he takes on a new pastime involving stolen meat.”
    New York Underground FF, March 1997

    “Who ever thought a conversation with a bowl of oatmeal would make for intriguing cinema? Bowl of Oatmeal is the story of a paranoid shut-in who tries to take advice from his kvetching breakfast. The camerawork is basic, but the dry humor of the script keeps things moving. (…)”
    Neil Gladstone, Philadelphia City Paper, March 1997

    “You need money to eat, to have a good glass of wine. But you can do life with oatmeal and water, too, believe me.”
    Jean-Claude Van Damme, US Magazine, October 1998

    “An eloquent and controlling bowl of oatmeal attempts to dominate the solitary life of a grimy glutton in this smartly shot descent into the meat of loneliness.”
    Eric Brummer, Hollywood Underground Forum, April 1997

    “Atmospheric and strangely compelling.”
    Fangoria, # 176, 1998

    “Bowl of Oatmeal serves as a dress rehearsal for the final film, but in its own right stands as unsettling cinema. An agoraphobic loner inexorably loses his mind within the confines of a bed-sit. Not even the revelation that a bowl of unappetizing oatmeal is taunting him alleviates the gloom. As the high fiber breakfast continues its needling, the man develops a keen interest in dead meat, but the film takes this into an area unexpected and haunting.”
    Rob Daniel, England, 1998

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